Name: Revlon Colorburst Lip Gloss in Fire
Date Purchased: Fall 2012
Notes: If you’re my friend for any length of time, you’ll eventually have to watch one of three films: The Draughtsman’s Contract, Revengers Tragedy, or Velvet Goldmine. If I really like you, I might make you watch all three. And since I’ve had this blog for nearly three months now, the time has come to blather about them to you. Aren’t you lucky.
The Draughtsman’s Contract (Peter Greenaway, 1982) takes place in an English country house in 1694. Revengers Tragedy (Alex Cox, 2003) is an adaptation of my favorite Jacobean revenge tragedy, set in a post-apocalyptic Liverpool governed by crime lords. Velvet Goldmine (Todd Haynes, 1998) is a non-linear fantasia straddling glam-rock London and gloomy ’80s New York. Surprisingly, the three films have a lot in common. Each has a small cast of characters. Each presents an ornate dystopian world that never quite enters the realm of capital-F Fantasy. Each, in its own way, is sinister, campy, baroque. The directors are more invested in atmosphere than, I don’t know, character development or plot, which means that each film is a perfectly contained aesthetic bubble. And that’s my perennial weakness in fiction, whether literary or cinematic. What, you expect me to care about these characters as individuals?
(At this point you’re probably wondering when I’m going to swoon over the genius of Wes Anderson. The answer is never. He leaves me completely cold. The three movies I’ve listed have a low-budget sloppiness that couldn’t be further from Anderson’s creepy precision.)
Oh, right: this is a beauty blog. And of the three movies I’ve listed, it goes without saying that Velvet Goldmine has the best beauty game.
I confess that I did not apply pink eyeshadow or a blue wig for my poor man’s Velvet Goldmine. Instead, I thought of this, my favorite shot from the film:
Fire is a very, very pigmented red gloss. It’s a liquid lipstick without the staying power, meaning that I never wear it because it. gets. everywhere. If your job requires you to stand perfectly still in a hermetically sealed chamber, Fire is the gloss for you. But if your lifestyle happens to involve eating, drinking, kissing, or talking, God help you. Fire is far and away the most impractical lip product I own; it would fit right into the world of Velvet Goldmine.
And now for a question that has perplexed me ever since I bought Fire: is it a warm red or a cool one? Christine of Temptalia sees it as warm, but most colors seem to pull warmer on her than they do on me. Swatched on both my arm and my lips, and photographed in natural light on an overcast day, Fire strikes me as a cool-leaning neutral red.
For my Velvet Goldmine homage (also influenced by a Guy Bourdin-inspired xoVain tutorial), I attempted a bronzey smokey eye with four eyeshadows, three from theBalm’s Nude ‘Tude palette. I started with a base of Maybelline cream eyeshadow in Bad to the Bronze all over the mobile lid, then added theBalm Seductive, a shimmery bronze, in the middle third; Sophisticated, a shimmery cool brown, in the outer corner and into the crease; and Sleek, a dark matte brown, to line the upper and lower lash lines. I applied a heavy layer of NARS Coeur Battant blush (“heavy” by my standards; normal, I suspect, by normal standards) high on the cheekbones and onto the temples for that Studio 54 look:
8 thoughts on “Lipstick Chronology #17: Revlon Fire (and a Tribute to Velvet Goldmine)”
You're inspiring me to actually USE one of my 30+ lipsticks.
Yesss. Do it. And blog about it! It's interesting what different people are comfortable with; I need no encouragement to wear my lipsticks, but I always feel weird when I put on eyeliner or more than two colors of eyeshadow…
I love movie-inspired beauty looks and this is reminding me I need to watch Velvet Goldmine again sometime. And I agree about Wes Anderson movies not having the same kind of 'imperfect' appeal. Haven't seen the other two but now I really want to!
Hooray, another Velvet Goldmine fan! Reading back over this post, I realize that I should have made a bad pun on the name of the gloss and Brian Eno's \”Baby's on Fire,\” which shows up on the soundtrack. Or, you know, not.I saw The Grand Budapest Hotel last month and I must admit, no director is better for makeup inspiration than Wes Anderson. Expect an Anderson-esque look on the blog soon…
[…] In my early makeup-wearing days, I favored opaque cream-finish glosses in bold colors, like Revlon Fire and YSL Rouge Gouache (those potato-quality 2014 photos, yikes). Eventually, though, I realized […]
[…] It’s time to say goodbye to some of my glosses, too. Left to right: Maybelline Vision in Violet, Boots No. 7 x Poppy King Seduction, Revlon Fire. […]
[…] admit that Nabokov’s Ada, or Ardor could be less disgustingly self-referential or that Velvet Goldmine could have a more discernible plot. But also, I really don’t care. For what I want Plum […]
[…] In direct light, though, it’s sparkle o’clock; I wish I’d had these for my Velvet Goldmine look. […]